In Sofia Coppola's latest, she questions the very feeling you get in your gut.My review of Apple TV+'s On the Rocks.

Gorgeous cinematography cannot save a wandering plot.

Darius Marder's Sound of Metal asks the hard questions, both of Riz Ahmed's Ruben and the viewer surrounding the culture of deafness.My review of Sound of Metal below.

In Julia Hart's crime thriller I'm Your Woman, Rachel Brosnahan makes a case for her Best Actress Oscar.

Brandon Cronenberg crafts one of the best horror films in recent years with his latest film, Possessor.

Diane Paraga's direction impresses in this film about the American dream, chosen family, and more in Yellow Rose.

12 Hour Shift makes a strong case for B movies.My review:

With the 2020 remake, Disney fails to offer a meaningful remake of a beloved classic, but does have some great extras for those willing to drop $30.

In Yulene Olaizola's latest, she invites the viewer to look at human nature and nature itself.My review of Tragic Jungle (Selva Trágica) here:

R.J. Cutler holds back an otherwise stylish and all encompassing view of John Belushi's life.My review of Showtime's Belushi.

In Angel Kristi Williams's Really Love, she tells a story about two loves who have to choose between their careers and their relationship.My review of Really Love.

This foreign-language horror-comedy is a good watch, but only as long as you're willing to keep up with its mystery. My review of The Intruder (El Prófugo) here.

Edson Oda's first feature film (!) dazzles with a look inside the soul.

In The Glorias, the star-studded spend most of their time on the tries their best to make something great, but ultimately fail due to the script's shortcomings.

The only broken heart is mine after seeing this film's wasted potential. Read my review for The Broken Hearts Gallery.

If you have Disney+ and preteens at home, Disney Channel's latest Original Movie, Secret Society of Second-Born Royals provides enough entertainment to keep them occupied for two hours.

In Tom Dolby's latest, the visuals and score are some of the best parts of the film, but anytime it focuses on anything else, The Artist's Wife, fails to paint a full picture.

With Miranda July's Kajillionaire, Focus Features gives moviegoers a superb acting showpiece, that falls apart if you think about it too hard.

In Around the Sun, director Oliver Krimpas tries to rewrite the romantic drama genre but is held back by an overwritten script.

In the final X-Men film from 20th Century Studios, director Josh Boone delivers a cliche superhero flick not worth your time.