undertone is a bad podcast in the form of a horror movie. Ian Tuason’s debut prioritizes sound over story, with immersive results that don’t quite justify the ambiguity.

Abraham’s Boys: A Dracula Story is a gothic tale that reads like a footnote rather than a new chapter.

Find out if it’s worth your time in my review.

The Listener, releasing in theaters and on VOD via Vertical Entertainment on March 29th, leaves viewers waiting on hold in this monotonous and unfulfilling take on crisis hotline workers and callers.

Mary McCartney’s first feature film is a touching reminiscence on her childhood as the daughter of one of The Beatles, Paul McCartney, as well as the definitive documentary on Abbey Road Studios, and the people who made it into the legendary name it is today.

Here is my review of B.J. Novak’s directorial debut, Vengeance, which is currently in a limited theatrical release from Focus Features.

Good Luck to You, Leo Grande is one of the best sex-positive dramedies ever made, due to great direction & stellar performances.

Mark Slutsky & Sarah Watt’s new film premiered at the Tribeca 2022 Festival & is one of the best films I’ve seen.

Check out my review here.

Chop & Steele, a documentary about a prank that Joe Pickett & Nick Prueher pulled off (somehow) years ago premiered at the 2022 Tribeca Festival, and is one of the best documentaries I’ve seen all year.

After its debut at the 2022 Tribeca Festival, I review the Jennifer Lopez documentary, Halftime, which…isn’t good.

The latest rom-com, The Valet, is an awful attempt at creating the next big hit.

Dune: Part One is a visionary story told by the biggest visionary of Hollywood, Denis Villeneuve.

Read my review.

In Rebecca Hall's directorial debut, she explores racial tensions in 1920s New York in her adaptation of the 1929 novella of the same name.

While it doesn't add anything new to the genre, The Cleaner, directed by Erin Elders, is not a crime drama that people should pass up this week, if only to witness the fasicnating decisions made in the direction and acting.

In Billie Eilish's concert film for Disney+, she shows off her talent on-stage, but gives up the vision that made her famous in the first place.

The Night House is a wonderful horror-thrilled bolstered by Rebecca Hall's amazing performance and a whole crew that creates one of the best horror films of the year, with a few flaws.

CODA is a once-in-a-generation film.Read my review of Siân Heder's directorial debut below.

Five years later, Task Force X is back. This time with a new director and new team.

Three years after his death, Anthony Bourdain finally gets the portrait he deserves, even if there are some questionable choices within.

Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return for the sequel to the 2017 hit film, The Hitman's Bodyguard. Can lightning strike twice? Yes and no.